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	<title>Wisdom of the Elders &#187; Storytelling</title>
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	<description>K12 Curriculum</description>
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		<title>Grades 4 &#8211; 6 Storytelling: Honoring Grand Ronde</title>
		<link>http://k12.wisdomoftheelders.org/grades-4-6-storytelling-honoring-grand-ronde/</link>
		<comments>http://k12.wisdomoftheelders.org/grades-4-6-storytelling-honoring-grand-ronde/#comments</comments>
		<pubDate>Fri, 03 Jun 2011 23:52:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Grades 4 - 6]]></category>
		<category><![CDATA[Grand Ronde]]></category>
		<category><![CDATA[Storytelling]]></category>

		<guid isPermaLink="false">http://k12.wisdomoftheelders.org/grades-4-6-storytelling-honoring-grand-ronde/</guid>
		<description><![CDATA[Overview The following five lessons begin with storytelling as a basis for “how things came to be” and include lesson plans for classroom storytelling; provide information about the historical landscape; include storytelling analysis and language; provide a historical description of the western Oregon people and ultimately, the contact with European cultures; provide information for students [...]]]></description>
			<content:encoded><![CDATA[<h2>Overview</h2>
<p>The following five lessons begin with storytelling as a basis for “how things came to be” and include lesson plans for classroom storytelling; provide information about the historical landscape; include storytelling analysis and language; provide a historical description of the western Oregon people and ultimately, the contact with European cultures; provide information for students to create their own stories that reflect the culture clash; explore how individuals impacted tribal and personal lives since the coming of the Europeans and how the stories were important to the Indian people; and conclude with contemporary information.</p>
<p>Classroom storytelling performance is presented; lessons encourage students to do critical thinking about how storytelling has preserved traditions, and include activities to enhance literature, writing, speaking and listening, and reading standards.</p>
<p><a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-1-stories-as-history-and-tradition/">Lesson 1: Stories as History and Tradition</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-2-historical-landscape/"> Lesson 2: Historical Landscap</a>e<br />
<a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-3-tribal-groups-and-the-reservation-experience/"> Lesson 3: Tribal Groups and the Reservation Experience</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-4-historical-figures-and-their-impact/"> Lesson 4: Historical Figures and their Impact</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-5-stories-of-today/"> Lesson 5: Stories of Today</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-4-6-extending-the-lessonreferences/">Extending the lesson/References</a></p>
<p><strong>GUIDING QUESTIONS</strong></p>
<p>Why are stories told?<br />
Who tells the stories?<br />
Why are they important?<br />
What kinds of stories were told before the coming of the Europeans?<br />
What kinds of stories remain and are being preserved?<br />
Why is preservation of the art of storytelling important to Native people?</p>
<p><strong>PREPARING TO TEACH THIS LESSON</strong></p>
<p>Make copies of the attached stories from the Kalapuya tribe. These may be used in reading sessions.</p>
<p>Set aside a time for the class to visit the computer lab (online access is required) to listen to the Kalapuya Creation Story at  HYPERLINK &#8220;http://archaeologychannel.com/&#8221; http://archaeologychannel.com/.  Click on “Kalapuya Creation Story” on the left under the heading of “Audio.”</p>
<p>Download and print a copy of the Kalapuya calendar at  HYPERLINK &#8220;http://www.grandronde.org/pr/past_articles/2002/1115/indian_calendar.html&#8221; http://www.grandronde.org/pr/past_articles/2002/1115/indian_calendar.html.</p>
<p>Make available supplies to make paper masks for acting out a story. (Thick paper, crayons/paints, hole punch, string, glue.)</p>
<p>Set aside some time each day for the following project. It is suggested that this activity may overlap into writing/language arts/spelling/reading activities. The project should be completed by the end of Lesson 5.</p>
<p>Divide the class into five groups. Assign a research project to each group to find as much information as they can about any of the following tribal groups who are represented on the Grand Ronde reservation:</p>
<p>Kalapuya<br />
Umpqua<br />
Molalla<br />
Chasta<br />
Rogue River</p>
<p>Sources could be the school library, public library, computer (if school has internet access) or community members who are knowledgeable about one of the tribal groups.</p>
<table style="text-align: center;" border="0" width="620">
<tbody>
<tr>
<td colspan="3">
<p style="text-align: center;"><span style="font-weight: normal;"><strong>BASED UPON WISDOM OF THE ELDERS RADIO: </strong><strong><a href="http://www.wisdomoftheelders.org/program307.html">SERIES 3, PROGRAM 7</a></strong></span></p>
<p style="text-align: center;"><em>Lesson plan written by </em>Esther Stutzman</p>
<p style="text-align: left;"><strong>Historical Introduction: </strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_hi.htm">Read the transcript&#8230;</a><br />
Arlie Neskahi discusses the history of this Columbia River tribe and how tribes from the region and beyond all converged on the villages of the Wishram and the Wasco to trade, socialize and do ceremony.</p>
<p style="text-align: left;"><strong>Elder Wisdom:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_ew.htm">Read the transcript&#8230;</a><br />
Brian Bull shares the story of Adeline Miller who was “born up in the mountains during huckleberry time.”  Now a tribal elder, she reminds her children and grandchildren of their origins through song, dance, and laughter.</p>
<p style="text-align: left;"><strong>Speaking Native:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog306/transcript_sn.htm">Read the transcript&#8230;</a><br />
Don Addison tell us that three native languages survive on this reservation today: Northern Paiute (also called Numu), Sahaptin (or Eecheeshkeen), and Wasco, known as Kiksht.</p>
<p style="text-align: left;"><strong>Sacred Landscape:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/mp3/308_sl.mp3" rel="shadowbox[post-870];player=flv;width=500;height=0;">Read the transcript&#8230;</a><br />
Judy Bluehorse Skelton talks about berries, including huckleberries, blackberries and raspberries, which burst with nutrition, and what the tribe is doing to ensure there will be plenty to pick in the future.</p>
<p style="text-align: left;"><strong>Tribal Rhythms:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_tr.htm">Read the transcript&#8230;</a><br />
Nico Wind introduces us to the music of the Warm Springs tribe presented by traditional singer, Carlos Calica, who is the keeper of the Art Mitchell drum. This drum belonged to his grandfather and is a drum Carlos sang on as a child.</p>
<p style="text-align: left;"><strong>Health and Healing:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_hh.htm">Read the transcript&#8230;</a><br />
Rose High Bear introduces us to Faye Waheneka who warns us to stay away from unhealthy food, including fry bread. Raised by her grandparents, she believes in using healthy traditional foods, such as edible roots, berries, deer meat, grouse, and salmon to manage her diabetes.</p>
<p style="text-align: left;"><strong>Artists Circle:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_ac.htm">Read the transcript&#8230;</a><br />
Bruce Crespin highlights the rediscovery of Wasco basketweaving by tribal artist, Pat Courtney Gold who is internationally recognized for the art of full-turn twining. She shares her travels across the country to visit museums with Wasco baskets in their collections and how she reconnected with a basket purchased by Lewis and Clark in 1805.</p>
<p style="text-align: left;"><strong>Turtle Island Storytellers:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_tis.htm">Read the transcript&#8230;</a><br />
Darlene Foster shares first contact stories she learned from her mother, who learned them from her grandmother. “They always told stories about how my ancestors knew before the pioneers came that they would come in. They would flow in like a river.”</p>
<hr /></td>
</tr>
<tr>
<td style="text-align: left;" valign="top"><strong>INTRODUCTION</strong></td>
</tr>
<tr>
<td style="text-align: left;" width="394" valign="top">In the thousands of years before the coming of the Europeans, the Indians of western Oregon had established a rich and diverse culture. The coast and inland valleys of Oregon provided abundant food and natural resources that enabled the Native people to live a comfortable life.</p>
<p>These lessons plans are designed to show the history and background of western Oregon Indian people as well as the variety of storytelling arts that developed within regions.</td>
<td width="3"></td>
<td style="text-align: left;" width="209" valign="top" bgcolor="#E9F2E5"><strong>SUBJECT AREAS</strong></p>
<p>History<br />
Art<br />
Anthropology<br />
Writing<br />
Language arts<br />
Drama</p>
<p><strong>SKILLS</strong></p>
<p>Research<br />
Writing<br />
Interpretation<br />
Technology<br />
Analysis<br />
Manipulation<br />
Oral skills</p>
<p><strong>LEARNING OBJECTIVES</strong></p>
<p>Upon completion of the activities and lessons, students will:</p>
<p>Understand basic forms of traditional and contemporary stories<br />
Learn about western Oregon Indians, past and present<br />
Understand importance of storytelling traditions and why they should be preserved</td>
</tr>
</tbody>
</table>
<h2><a href="http://k12.wisdomoftheelders.org/gr-st-4-6-lesson-1-stories-as-history-and-tradition/"><span style="font-weight: normal;">Begin Lessons</span></a></h2>
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		<title>Grades 9 &#8211; 12 Storytelling: Honoring Grand Ronde</title>
		<link>http://k12.wisdomoftheelders.org/grades-9-12-storytelling-honoring-grand-ronde/</link>
		<comments>http://k12.wisdomoftheelders.org/grades-9-12-storytelling-honoring-grand-ronde/#comments</comments>
		<pubDate>Fri, 03 Jun 2011 05:03:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Grades 9 - 12]]></category>
		<category><![CDATA[Grand Ronde]]></category>
		<category><![CDATA[Storytelling]]></category>

		<guid isPermaLink="false">http://k12.wisdomoftheelders.org/grades-9-12-storytelling-honoring-grand-ronde/</guid>
		<description><![CDATA[Overview These lessons plans are designed to show the variety of storytelling arts that developed within some of the regions of western Oregon. Lesson 1: Stories as History and Tradition Lesson 2: Historical Landscape Lesson 3: The Treaties and the Reservation Experience Lesson 4: Historical Figures and their Impact Lesson 5: Stories of Today Extending [...]]]></description>
			<content:encoded><![CDATA[<h2>Overview</h2>
<p>These lessons plans are designed to show the variety of storytelling arts that developed within some of the regions of western Oregon.</p>
<p><a href="http://k12.wisdomoftheelders.org/gr-st-9-12-lesson-1-stories-as-history-and-tradition/">Lesson 1: Stories as History and Tradition</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-9-12-llesson-2-historical-landscape/"> Lesson 2: Historical Landscape</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-9-12-lesson-3-the-treaties-and-the-reservation-experience/"> Lesson 3: The Treaties and the Reservation Experience</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-9-12-lesson-4-historical-figures-and-their-impact/"> Lesson 4: Historical Figures and their Impact</a><br />
<a href="http://k12.wisdomoftheelders.org/gr-st-9-12-lesson-5-stories-of-today/"> Lesson 5: Stories of Today</a><br />
<a href="1.  Books containing stories of American Indians are useful in understanding many aspects of the culture: how lessons are learned, how history is passed down, etc. 2.  In writing segments, repeat the activity of students’ writing their own Creation stories. 3.  During American Indian Heritage Month (November of each year) watch for announcement of television specials or special events that are held locally. Encourage the class to watch the specials or attend the events such as pow wows.  Websites  Kalapuya Creation Story:      HYPERLINK &quot;http://archaeologychannel.com/&quot; http://archaeologychannel.com/   The Confederated Tribes of Grand Ronde  HYPERLINK &quot;http://www.grandronde.org/&quot; http://www.grandronde.org/  Confederated Tribe of Siletz Indians  HYPERLINK &quot;http://ctsi.nsn.us/&quot; http://ctsi.nsn.us/  Confederated Tribes of the Coos, Lower Umpqua and Siuslaw 	 HYPERLINK &quot;http://www.ctclusi.org/&quot; http://www.ctclusi.org/  Cow Creek Band of Umpqua Indians 	 HYPERLINK &quot;http://www.cowcreek.com/&quot; http://www.cowcreek.com/  Coquille Indian Tribe 	 HYPERLINK &quot;http://www.coquilletribe.org/&quot; http://www.coquilletribe.org/  Photos  Courtesy of the Komemma Cultural Protection Association of Yoncalla, OR and private collections of the Fearn and Stutzman families  Attachments  Historical photos that may be duplicated for educational purposes. The Story of Martha Sands Camafeema Salista">Extending the lesson/References</a></p>
<p><strong>GUIDING QUESTIONS</strong></p>
<p>Why are stories told?<br />
Who tells the stories?<br />
Why are they important?<br />
What kinds of stories were told before the coming of the Europeans?<br />
What kinds of stories remain and are being preserved?<br />
Why is preservation of the art of storytelling important to Native people?</p>
<p><strong>PREPARING TO TEACH THIS LESSON</strong></p>
<p>Make copies of the attached stories from the Kalapuya tribe.</p>
<p>Set aside a time for the class to visit the computer lab (online access is required) to listen to the Kalapuya Creation Story at <a href="http://archaeologychannel.com">http://archaeologychannel.com</a>.  Click on “<a href="http://www.archaeologychannel.org/kalapuya.html">Kalapuya Creation Story</a>” on the left under the “Audio” heading.</p>
<p>Download and print a copy of the Kalapuya calendar at <a href="http://www.grandronde.org/pr/past_articles/2002/1115/indian_calendar.htm">http://www.grandronde.org/pr/past_articles/2002/1115/indian_calendar.htm</a>l.</p>
<p>Make copies of the historical photos included with this lesson.</p>
<p>Set aside some time each day for the following project. The project should be completed by the end of Lesson 5.</p>
<p>Divide the class into five groups. Assign a research project to each group to find as much information as they can about any of the following tribal groups who are represented on the Grand Ronde reservation:</p>
<p>Kalapuya<br />
Umpqua<br />
Molalla<br />
Chasta<br />
Rogue River</p>
<p>Sources could be the school library, public library, computer (if school has internet access) or community members who are knowledgeable about one of the tribal groups.</p>
<table style="text-align: center;" border="0" width="620">
<tbody>
<tr>
<td colspan="3">
<p style="text-align: center;"><span style="font-weight: normal;"><strong>BASED UPON WISDOM OF THE ELDERS RADIO: </strong><strong><a href="http://www.wisdomoftheelders.org/program307.html">SERIES 3, PROGRAM 7</a></strong></span></p>
<p style="text-align: center;"><em>Lesson plan written by </em>Esther Stutzman</p>
<p style="text-align: left;"><strong>Historical Introduction: </strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_hi.htm">Read the transcript&#8230;</a><br />
Arlie Neskahi discusses the history of this Columbia River tribe and how tribes from the region and beyond all converged on the villages of the Wishram and the Wasco to trade, socialize and do ceremony.</p>
<p style="text-align: left;"><strong>Elder Wisdom:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_ew.htm">Read the transcript&#8230;</a><br />
Brian Bull shares the story of Adeline Miller who was “born up in the mountains during huckleberry time.”  Now a tribal elder, she reminds her children and grandchildren of their origins through song, dance, and laughter.</p>
<p style="text-align: left;"><strong>Speaking Native:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog306/transcript_sn.htm">Read the transcript&#8230;</a><br />
Don Addison tell us that three native languages survive on this reservation today: Northern Paiute (also called Numu), Sahaptin (or Eecheeshkeen), and Wasco, known as Kiksht.</p>
<p style="text-align: left;"><strong>Sacred Landscape:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/mp3/308_sl.mp3" rel="shadowbox[post-860];player=flv;width=500;height=0;">Read the transcript&#8230;</a><br />
Judy Bluehorse Skelton talks about berries, including huckleberries, blackberries and raspberries, which burst with nutrition, and what the tribe is doing to ensure there will be plenty to pick in the future.</p>
<p style="text-align: left;"><strong>Tribal Rhythms:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_tr.htm">Read the transcript&#8230;</a><br />
Nico Wind introduces us to the music of the Warm Springs tribe presented by traditional singer, Carlos Calica, who is the keeper of the Art Mitchell drum. This drum belonged to his grandfather and is a drum Carlos sang on as a child.</p>
<p style="text-align: left;"><strong>Health and Healing:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_hh.htm">Read the transcript&#8230;</a><br />
Rose High Bear introduces us to Faye Waheneka who warns us to stay away from unhealthy food, including fry bread. Raised by her grandparents, she believes in using healthy traditional foods, such as edible roots, berries, deer meat, grouse, and salmon to manage her diabetes.</p>
<p style="text-align: left;"><strong>Artists Circle:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_ac.htm">Read the transcript&#8230;</a><br />
Bruce Crespin highlights the rediscovery of Wasco basketweaving by tribal artist, Pat Courtney Gold who is internationally recognized for the art of full-turn twining. She shares her travels across the country to visit museums with Wasco baskets in their collections and how she reconnected with a basket purchased by Lewis and Clark in 1805.</p>
<p style="text-align: left;"><strong>Turtle Island Storytellers:</strong><br />
<a href="http://www.wisdomoftheelders.org/prog307/transcript_tis.htm">Read the transcript&#8230;</a><br />
Darlene Foster shares first contact stories she learned from her mother, who learned them from her grandmother. “They always told stories about how my ancestors knew before the pioneers came that they would come in. They would flow in like a river.”</p>
<hr /></td>
</tr>
<tr>
<td style="text-align: left;" valign="top"><strong>INTRODUCTION</strong></td>
</tr>
<tr>
<td style="text-align: left;" width="394" valign="top">Storytelling is an integral part of the traditions of American Indian people. Stories keep history and culture as well as the great books of today. Stories often took the place of lessons on manners and social graces, for those things were and are still taught in storytelling.</p>
<p>In the thousands of years before the coming of the Europeans, the Indians of western Oregon had established a rich and diverse culture.  The art of storytelling was one of the most important aspects of this culture.</td>
<td width="3"></td>
<td style="text-align: left;" width="209" valign="top" bgcolor="#E9F2E5"><strong>SUBJECT AREAS</strong></p>
<p>History<br />
Art<br />
Anthropology<br />
Writing<br />
Language arts<br />
Drama</p>
<p><strong>SKILLS</strong></p>
<p>Research<br />
Writing<br />
Interpretation<br />
Technology<br />
Analysis<br />
Manipulation<br />
Oral skills</p>
<p><strong>LEARNING OBJECTIVES</strong></p>
<p>Upon completion of the activities and lessons, students will:</p>
<p>Understand basic forms of traditional and contemporary stories<br />
Learn about western Oregon Indians, past and present<br />
Understand importance of storytelling traditions and why they should be preserved</p>
<hr /></td>
</tr>
</tbody>
</table>
<h2><a href="http://k12.wisdomoftheelders.org/gr-st-9-12-lesson-1-stories-as-history-and-tradition/"><span style="font-weight: normal;">Begin Lessons</span></a></h2>
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		<title>Grades 9 &#8211; 12 Storytelling:  Honoring the Umatilla Nations</title>
		<link>http://k12.wisdomoftheelders.org/grades-9-12-storytelling-2/</link>
		<comments>http://k12.wisdomoftheelders.org/grades-9-12-storytelling-2/#comments</comments>
		<pubDate>Tue, 18 May 2010 19:46:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Grades 9 - 12]]></category>
		<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[Umatilla]]></category>

		<guid isPermaLink="false">http://k12.wisdomoftheelders.org/grades-9-12-storytelling-2/</guid>
		<description><![CDATA[WISDOM OF THE ELDERS RADIO: SERIES 3, PROGRAM 5 HONORING THE UMATILLA NATIONS Lesson plan written by Esther Stutzman. SUBJECT AREAS Listening            Interpretation Speaking            Analysis Writing            Literature (oral and written) SKILLS Communication            Writing Oral skills            Language arts LEARNING OBJECTIVES Students who complete the lessons will: Understand several forms of oral literature Understand importance of storytelling [...]]]></description>
			<content:encoded><![CDATA[<p><strong>WISDOM OF THE ELDERS RADIO: SERIES 3, PROGRAM 5</strong></p>
<p><strong>HONORING THE UMATILLA NATIONS</strong></p>
<p><strong><br />
</strong></p>
<p><strong> </strong></p>
<p><em>Lesson plan written by Esther Stutzman.</em></p>
<p><strong> </strong></p>
<p><strong>SUBJECT AREAS</strong></p>
<p>Listening            Interpretation</p>
<p>Speaking            Analysis</p>
<p>Writing            Literature (oral and written)</p>
<p><strong>SKILLS</strong></p>
<p>Communication            Writing</p>
<p>Oral skills            Language arts</p>
<p><strong>LEARNING OBJECTIVES</strong></p>
<p>Students who complete the lessons will:</p>
<ul>
<li>Understand several forms of oral literature</li>
<li>Understand importance of storytelling</li>
<li>Be able to tell a story</li>
<li>Critique a story</li>
</ul>
<p><strong>INTRODUCTION</strong></p>
<p><strong>Overview</strong></p>
<p>This lesson plan is comprised of five lessons which include activities to enhance the standards and common curriculum goals of literature, writing, speaking, listening and reading.</p>
<p>Lesson 1: Introducing Stories</p>
<p>Lesson 2: Using Experiences to Shape Stories</p>
<p>Lesson 3: How Stories are Remembered</p>
<p>Lesson 4: Contemporary Stories</p>
<p>Lesson 5: Telling Your Own Stories</p>
<p><strong>GUIDING QUESTIONS</strong></p>
<p><strong> </strong></p>
<ul>
<li>Why are stories told?</li>
<li>How are stories preserved?</li>
<li>What constitutes a contemporary story?</li>
<li>How can we tell our family stories?</li>
</ul>
<p><strong> </strong></p>
<p><strong>PREPARING TO TEACH THIS LESSON</strong></p>
<ul>
<li>At least a week prior to the study of the unit, have the students check out library books that contain traditional stories. The stories need not be from the Umatilla area. Reading the stories will give the students a feel for a variety of oral literature types.</li>
</ul>
<p><strong>SUGGESTED ACTIVITIES</strong></p>
<p><strong> </strong></p>
<p><strong><span style="text-decoration: underline;">Lesson 1: Introducing Stories </span></strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.SL.05—Analyze the occasion and the interests of the audience, and choose effective verbal techniques and language.</li>
<li>EL.CM.WR.02—Discuss ideas for writing with classmates, teachers, and other writers, and develop drafts alone and collaboratively.</li>
<li>EL.CM.WR.04—Choose the form of writing that best suits the intended purpose.</li>
<li>EL.CM.WR.21—Write biographical or autobiographical narratives or short stories.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p>For this lesson, go to <em>Elder Wisdom</em>.</p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>American Indian people have told traditional stories for thousands of years. Many stories are about Creation or tell of how certain landmarks came to be. Other stories are of the animals and how they helped (or sometimes hindered) people’s lives. These oral traditions are often teaching tools that storytellers used to reinforce customs, tradition and behavior. Many stories contain a moral lesson that the elders require to be repeated frequently.</p>
<p>Many stories contain close connections to philosophy or “religion” that is ingrained into the lives of traditional Native people.</p>
<p>But storytelling isn’t always a tale of long ago in a time when the world looked different. Many storytellers tell stories of their lives or their family’s adventures. Personal recollections often reinforce a family’s history and serve as a tool to remember a chain of events that happened to a certain person or group of people. These stories are also classified as oral literature to serve as remembrances of past generations.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.  Listen</p>
<p>Listen to Wisdom of the Elders Radio Series 3, Program 5, Track 4.  This track is a reminiscence of Kathleen Gordon, a Umatilla elder. Listen carefully to the portion of the story in which Kathleen Gordon talks of her birth.</p>
<p>2.    Storytelling</p>
<p>Ask the class to tell family stories of their birth. It will not be unusual that each student has a certain story to tell that has been told to them by someone in the family.  Discuss how these stories might be an important part of each person’s identity and how these stories have been passed on to other relatives or friends.  This activity demonstrates a personal side of stories and how those stories can become a part of family history. These stories, if humorous, adventuresome, or serious, may be repeated and told for generations.</p>
<p>3.    Share</p>
<p>Ask the class to be thinking about a family story to write and to share during the next lesson. This will allow time for students to ask their families to refresh their memory about a certain story.</p>
<p><strong><span style="text-decoration: underline;">Lesson 2: Using Experiences to Shape Stories</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.35—Extend ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.</li>
<li>EL.CM.SL.10—Formulate judgments about ideas under discussion, and support those judgments with convincing evidence.</li>
<li>EL.CM.WR.21—Write biographical or autobiographical narratives or short stories.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Traditional stories are often based on values that have been established within tribes and families. Often these stories and values are applied to an “adventure” involving an animal figure or human-animal interaction.  In this way, stories are shaped to share the guidelines of how people should behave.</p>
<p>But many stories come from a personal experience, either the storyteller’s own or that of an observation of other events. Based on this an event becomes a story that is retold because of its interest, excitement or humor. We can all recall “Grandpa’s fishing adventure” because as children we may have heard it over and over. This, then, becomes a family story that is shared through generations.</p>
<p>Within Indian communities, stories are fashioned in the same way. Often, stories are told based on a certain person’s life that is used as a good example for children and future generations.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p>1.  Discuss</p>
<p>Kathleen Gordon, a Umatilla elder remembers:</p>
<p><em>“In our old days, they would always try to teach us to always have a good heart, to always treat people in a good way and to always feed people when they came to your presence. You offer them food or you offer them drink. You offer them whatever you have, even if it’s your last piece of bread, you share it with them. And so we were taught to share and care for others.” </em></p>
<ul>
<li>How could this simple statement become a “story?”</li>
<li>How would this story be told?</li>
<li>Who would the story be told to?</li>
<li>How would the story “change” to make it relevant to children, older youth and elders?</li>
</ul>
<p>2.  Writing exercise</p>
<p>Ask each student to write a few paragraphs about a story that they have heard from their family. In the conclusion of the writing, each student should write why the story is important to the family.  Have several of the students read their stories to the class.</p>
<p>3.  Reflect</p>
<p>Ask the students to be thinking about an event that happened to them. Encourage them to use a story that teaches a lesson or teaches them something that is useful to them (for example, “How I lost my dog or cat” or “The day I got a speeding ticket”).  The story should not be just a statement of fact, but rather a narrative, with events leading up to the finale and, of course, a conclusion.  These stories will be told in front of the class during Lesson 5.</p>
<p><strong><span style="text-decoration: underline;">Lesson 3: How Stories are Remembered</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.SL.05—Analyze the occasion and the interests of the audience, and choose effective verbal techniques and language.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>We are all storytellers, but some have the exceptional gift to engage and entrance the audience. Traditional Indian storytellers practice their art by repetition, with many stories requiring exact words be used in the same sequence. For many tribes, it is believed that the sequence of words and phrases give the story “power.”</p>
<p>Many storytellers work with an “apprentice” who will learn the stories and are shown the proper way to have presence before an audience. The storyteller guides the apprentice for as long as is necessary.</p>
<p><strong>ASK THE UMATILLA REVIEW GROUP IF THERE ARE SPECIFIC GUIDELINES FOR TELLING UMATILLA STORIES.</strong></p>
<p><strong> </strong></p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p>1.    Play a game</p>
<p>The following exercise is a good example of how much concentration it takes to remember the sequence of events in a story.</p>
<ul>
<li>Line up at least ten students in the front of the room.</li>
<li>Select one person to start the game by saying “This is my story” and at the same time, clapping hands once.</li>
<li>The second person says the same thing, clapping hands once and then adding another motion such as crossing their arms.</li>
<li>The next person says the same thing and repeats the two previous motions—clapping, crossing the arms—and then adds another simple motion.</li>
<li>See how far the students progress before someone forgets all the previous motions.</li>
<li>If the ten students remember everything, add four or five more to see if everyone remembers.</li>
</ul>
<p>This illustrates the repetition and concentration required to make a good storyteller.</p>
<p>2.    Remembering</p>
<p><strong> </strong></p>
<p><strong>ASK THE UMATILLA REVIEW GROUP TO RECOMMEND A TRADITIONAL STORY THAT MAY BE USED.</strong></p>
<p><strong> </strong></p>
<p><strong>ACTIVITY #2 (SEQUENCING AND REMEMBERING) WILL BE BASED UPON THAT STORY</strong></p>
<p><strong> </strong></p>
<p><strong><span style="text-decoration: underline;">Lesson 4: Contemporary Stories</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.04—Demonstrate listening comprehension of more complex text through class and/or small group interpretive discussions across the subject areas.</li>
<li>EL.CM.WR.21—Write biographical or autobiographical narratives or short stories.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p>For this lesson, go to <em>Tribal Rhythms.</em></p>
<p><strong>Background</strong></p>
<p>Contemporary stories eventually become “historic” stories. Events that have happened at a certain time in history are often retold for generations to become a standard story of a culture. For example, stories of the Revolutionary War (Paul Revere) or Civil War (the battle of Gettysburg) have all become stories told in literature or history books.</p>
<p>Stories of the battles during the era of the Indian Wars have also become narratives of the time. For many years, the only story of “Custer’s Last Stand” was from the viewpoint of the soldiers. Now, we have the reminiscences of the tribal warriors and other Indian witnesses to the event that shed a new light on the events.</p>
<p>And so, family stories do become historic stories with the passing of time. We can all remember stories we heard about how our ancestors farmed a certain piece of land or traveled from one state to the other during the Depression.</p>
<p>These contemporary stories are told and retold to reflect important events in a family’s life. The same holds true of Indian stories. And those stories may not just be adventures, but stories of how some things came to be, such as music and dance…and most tribal stories teach a lesson or moral.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p>1.    Listen</p>
<p>Listen to Wisdom of the Elders Radio Series 3, Program 5, Track 8.  Pay special attention to the portion of the track in which Fred Hill talks about the War Dance.</p>
<p><em>“We used to go to war with other tribes around here; that they were always tormenting our people. There are some areas here, where the stories go, where they would really fight and kill them all off except one and they would send that one back.</em></p>
<p><em> </em></p>
<p><em>“You tell your people this is what is going to happen if you keep doing this; keep coming here trying to steal our women and our children.</em></p>
<p><em> </em></p>
<p><em>“But as time went on and the fighting ceased, when the railroad came through, that these people wanted to come back and have a truce. And as they did come back they also shared their dancing and singing. And so from just a little bit I learned the Shoshone people are the ones that showed us the dance. The wars have ceased, the tribal wars, but yet the war still remains in the dance arena.”</em></p>
<p><em> </em></p>
<p>2.             Discuss</p>
<p>Discuss how this bit of history might be important to the people of the Umatilla.</p>
<ul>
<li>What is the lesson in this story?</li>
<li>Why is this story worth repeating?</li>
</ul>
<p>3.             Writing exercise</p>
<p>Have the class write a few paragraphs about an event they have heard about (not experienced) and how that event taught them a lesson or cautioned them about something.  At the end of the essay, students should answer these questions:</p>
<ul>
<li>Why was this event important to you?</li>
<li>Would you tell this story to others?  Why?</li>
</ul>
<p><strong><span style="text-decoration: underline;">Lesson 5: Telling Your Own Stories</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.04—Demonstrate listening comprehension of more complex text through class and/or small group interpretive discussions across the subject areas.</li>
<li>EL.CM.SL.05—Analyze the occasion and the interests of the audience, and choose effective verbal techniques and language.</li>
<li>EL.CM.WR.21—Write biographical or autobiographical narratives or short stories.</li>
<li>EL.CM.WR.02—Discuss ideas for writing with classmates, teachers, and other writers, and develop drafts alone and collaboratively.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>To be a storyteller, a person has to do just that: tell a story.</p>
<p>But a storyteller who engages an audience works with many techniques to keep the audience interested. Many tellers have distinctive voices or gestures; others use sounds or alter their voices to emphasize characters or events.</p>
<p>It is important that storytellers use movement so that the audience’s attention will be drawn to one place.</p>
<p>In the following activity, encourage the students to use some of these methods when they tell their story. Also, encourage each student to attempt to memorize what they will be telling.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p>1.  Share</p>
<p>Before this activity students might play the memorizing game described in Lesson 3.</p>
<p>Allow enough time for each student to tell their story to the class. This activity might take place over several days.</p>
<p>Before the students begin, remind them of how stories are told and how gestures, inflection and countenance are important to telling an engaging story.</p>
<p>2.  Discuss</p>
<ul>
<li>Was there a lesson in the story?</li>
<li>Did it teach YOU a lesson?</li>
<li>Will you tell the story to others?  Why?</li>
<li>Will you tell the stories when you become a parent?</li>
</ul>
<p><strong>EXTENDING THE LESSON/REFERENCES</strong></p>
<p><strong> </strong></p>
<p>1.    Any and all parts of the storytelling/arts lessons can be used in other class activities such as reading, writing, oral literature, drama.</p>
<p>2.    Books containing stories of American Indians are useful in understanding many aspects of the culture: how lessons are learned, how history is passed down, etc.</p>
<p>3.    During regular reading periods, choose a book that contains Indian stories and reference previous learning about storytelling.</p>
<p>4.    In writing segments, consider repeating the exercise of students collecting a family story.</p>
<p><strong> </strong></p>
<p><strong><br />
</strong></p>
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		<title>Grades 9 &#8211; 12 Storytelling:  Honoring Warm Springs</title>
		<link>http://k12.wisdomoftheelders.org/grades-9-12-storytelling/</link>
		<comments>http://k12.wisdomoftheelders.org/grades-9-12-storytelling/#comments</comments>
		<pubDate>Tue, 18 May 2010 19:44:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Curriculum]]></category>
		<category><![CDATA[Grades]]></category>
		<category><![CDATA[Grades 9 - 12]]></category>
		<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[Subjects]]></category>
		<category><![CDATA[Tribes]]></category>
		<category><![CDATA[Warm Springs]]></category>

		<guid isPermaLink="false">http://k12.wisdomoftheelders.org/grades-9-12-storytelling/</guid>
		<description><![CDATA[All the Cultural material on this website is the property of the individual Artist and/or the Confederated Tribes of Warm Springs, and may not be used for any purposes. The Cultural and Intellectual property of the Confederated Tribes of Warm Springs includes the traditional practices, knowledge and ways of life unique to the people of [...]]]></description>
			<content:encoded><![CDATA[<p><strong><p style="text-align:center;">
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</strong> <em>All the Cultural material on this website is the property of the individual Artist and/or the Confederated Tribes of Warm Springs, and may not be used for any purposes. The Cultural and Intellectual property of the Confederated Tribes of Warm Springs includes the traditional practices, knowledge and ways of life unique to the people of the Confederated Tribes and includes, but not limited to: photos, songs, legends, stories, language, art, oral tradition and ceremony.</em></p>
<hr /><strong>WISDOM OF THE ELDERS RADIO: SERIES 3, PROGRAM 6</strong></p>
<p><strong>HONORING WARM SPRINGS</strong></p>
<p><strong><br />
</strong></p>
<p><strong> </strong></p>
<p><em>Lesson plan written by Esther Stutzman.</em></p>
<p><strong>SUBJECT AREAS</strong></p>
<p>Language arts                                                Writing</p>
<p>Art                                                                        Speech</p>
<p>History</p>
<p><strong> </strong></p>
<p><strong>SKILLS</strong></p>
<p>Analysis                                                            Oral skills</p>
<p>Research                                                            Interpretation</p>
<p>Writing                                                             Drawing conclusions</p>
<p><strong> </strong></p>
<p><strong>LEARNING OBJECTIVES</strong></p>
<p>Upon completion of the activities and lessons, students will:</p>
<ul>
<li>Understand importance of storytelling</li>
<li>Learn about the oral traditions of the Warm Springs</li>
<li>Learn about a selection of Warm Springs histories</li>
</ul>
<p><strong> </strong></p>
<p><strong>INTRODUCTION</strong></p>
<p>A rich culture developed along the Columbia River, centering on the economy of trade. Because the people of the Warm Springs nation were fishermen and traders they established a network of trade that stretched from the Pacific Northwest far into the interior of America.</p>
<p>Along the Columbia River, when people gathered together, friendships were renewed and stories were told. Just as with other tribes across America, the Warm Springs told stories of the ancestors and of great adventures.</p>
<p><strong>Overview</strong></p>
<p>The following five lessons will include activities to enhance the standards of literature, writing, speaking, listening and reading.</p>
<p>Lesson 1: Remembering by Storytelling</p>
<p>Lesson 2: Stories of the Land</p>
<p>Lesson 3: European Contact and the Stories of that Era</p>
<p>Lesson 4: Individuals Who Had an Impact on the Tribal Way of Life</p>
<p>Lesson 5: Stories of Today</p>
<p><strong>GUIDING QUESTIONS</strong></p>
<p><strong> </strong></p>
<ul>
<li>Who tells stories?</li>
<li>Why are stories important?</li>
<li>Why are stories told?</li>
<li>Why should stories be preserved?</li>
<li>What is the difference between family stories and tribal stories?</li>
</ul>
<p><strong>PREPARING TO TEACH THIS LESSON</strong></p>
<p><strong> </strong></p>
<ul>
<li>Go to <a href="http://www.nwrel.org/indianed/indianreading/1/book01.pdf">http://www.nwrel.org/indianed/indianreading/1/book01.pdf</a> to download the Warm Springs story, <em>Coyote and the Stars</em></li>
<li><strong>ASK THE WARM SPRINGS REVIEW GROUP TO SUGGEST RESOURCES OTHER THAN NWREL IF NEEDED</strong></li>
<li>Make available pictures of Warm Springs baskets</li>
<li><strong>OBTAIN PICTURES FROM THE WARM SPRINGS REVIEW GROUP</strong></li>
<li>Listen to the <em>Turtle Island Storytellers</em> segment of Wisdom of the Elders Series 3, Program 6</li>
</ul>
<p><strong>SUGGESTED ACTIVITIES</strong></p>
<p><strong> </strong></p>
<p><strong><span style="text-decoration: underline;">Lesson 1: Remembering by Storytelling</span></strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.04—Demonstrate listening comprehension of more complex text through class and/or small group interpretive discussions across the subject areas.</li>
<li>EL.CM.WR.04—Choose the form of writing that best suits the intended purpose.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Many Indian tribes tell stories of what is known as “the time before.” This was a time when the world was different; a time when animals could talk and also a time when things were different. Tribal stories tell of how the landscape changed through an action of an animal or a person in the time before. Other stories relate why animals look like they do or have certain characteristic markings.</p>
<p>Coyote is a prominent figure in many stories across America. Sometimes he’s a wise man, sometimes he has powerful medicine and often he is a trickster and fool who causes things to happen by accident.</p>
<p>It is believed that the animals taught many lessons to people and even today, tribal people point to examples of old stories to teach children the proper way to behave.</p>
<p><strong> </strong></p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.    Read</p>
<p>Read the story of <em>Coyote and the Stars</em>.</p>
<p>Ask the following questions:</p>
<ul>
<li>Why did Coyote think he could dance like the girl-stars?</li>
<li>Why did he get tired and the girl-stars didn’t?</li>
<li>What lesson is taught in the story?</li>
<li>Why is the story told?</li>
</ul>
<p>2.  Writing exercise</p>
<p>Ask each person in the class to write down the subject of a good lesson (example: tell the truth; don’t steal; respect your parents). Then have the class write a short, one-page story. It can be from tribal times or it can be “modern.”</p>
<ul>
<li>At least two characters must be used to develop the story.</li>
<li>Describe a situation in which the main character will make decisions.</li>
<li>These decisions will result in the teaching of a story.</li>
<li>Read several of the stories and discuss how actions can sometimes teach lessons.</li>
</ul>
<p><strong>USE ANOTHER APPROVED TRADITIONAL STORY AFTER TALKING TO THE WARM SPRINGS REVIEW GROUP.</strong></p>
<p><strong> </strong></p>
<p>3.  Play a game</p>
<p>The following is a game to illustrate how a story might be remembered:</p>
<ul>
<li>Have the class make two circles, sitting down in chairs or desks.</li>
<li>Select one person in each circle group to start the game by saying “This is my story” and at the same time, clapping hands once.</li>
<li>The second person says the same thing, clapping hands once and then adding another motion such as crossing their arms.</li>
<li>The next person says the same thing and repeats the two previous motions… clapping, crossing the arms and then adds another simple motion.</li>
<li>See how far the circle goes around before someone forgets all the previous motions.</li>
<li>An extra challenge is to make a circle of the entire class to see how far the “story” can be told before forgetting the sequence.</li>
</ul>
<p>This is a good example of how much effort it takes to remember a story. It must be repetition and concentration to make a good storyteller.</p>
<p><strong><span style="text-decoration: underline;">Lesson 2: Stories of the Land</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.SL.10—Formulate judgments about ideas under discussion, and support those judgments with convincing evidence.</li>
<li>EL.CM.WR.02—Discuss ideas for writing with classmates, teachers, and other writers, and develop drafts alone and collaboratively.</li>
<li>EL.CM.WR.04—Choose the form of writing that best suits the intended purpose.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Besides the stories of the time before, in which people, animals or landscapes were changed, many stories exist about landmarks and resources. As we travel and notice mountains or lakes or rivers, there is no doubt a tribal story connected to that place.</p>
<p><strong>ASK ABOUT APPROPRIATENESS OF USING ELIZABETH WOODY’S RECOLLECTIONS, <em>Recalling Celilo </em></strong><strong>AT THIS WEBSITE </strong><a href="http://www.ecotrust.org/community/recalling_celilo.html">http://www.ecotrust.org/community/recalling_celilo.html</a></p>
<p>Stories of food gathering, root-digging and fishing are also a part of the traditional stories that come to us from ancestors.</p>
<p>Adeline Miller learned about feasts from her relatives. Each happens at a certain time of year when certain foods are ready to harvest. The Celery Feast is first, then the Root Feast and then Salmon Feast. In late summer, there is a Huckleberry Feast. These feasts are part of cultural traditions that have been carried on for thousands of years. In performing these feasts today, the people of Warm Springs remember the ancestors. With each feast, thanks is given for the abundance of that certain food.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.  Writing exercise</p>
<p>Ask each student to write down their favorite landmark such as Grand Canyon, Yosemite, Mt. Hood or any other place, even a place that’s not “famous.”</p>
<p>On the basis of this, ask each student to write why they think that certain landmark looks like it does. Encourage the students to use imagination in a way that they use animals to make the land change.</p>
<p>Choose a representative number of responses and have the students read them in front of the class.</p>
<p>Ask the following questions:</p>
<ul>
<li>Why did you choose that certain landmark?</li>
<li>Does writing a story about it make it more special?  Why?</li>
</ul>
<p>2.  Discuss</p>
<p>Discuss the concepts of feasts. Relate to the class that for the Warm Springs people, it is important to drink water before each feast and meal. It symbolizes the thanks given to the Creator for providing water to the people.</p>
<p>Ask the class what “feasts” are important to them and why?  Is the feast simply a celebration of food or is there a meaning behind the occasion?</p>
<ul>
<li>What “feasts” do we observe?</li>
<li>Is there a “feast” for every holiday we have now? Why?</li>
<li>Is there a story about something that happened at a “feast” such as Thanksgiving? (for example, the time mom dropped the turkey).</li>
</ul>
<p><strong><span style="text-decoration: underline;">Lesson 3: European Contact and the Stories of that Era</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.04—Demonstrate listening comprehension of more complex text through class and/or small group interpretive discussions across the subject areas.</li>
<li>EL.CM.RE.35—Extend ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.</li>
<li>EL.CM.SL.05—Analyze the occasion and the interests of the audience, and choose effective verbal techniques and language.</li>
<li>EL.CM.SL.10—Formulate judgments about ideas under discussion, and support those judgments with convincing evidence.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p><strong> </strong></p>
<p>Many people visited the Columbia River long before the coming of the Corps of Discovery. The Spanish, French and English all sent explorers to the west to learn about the inhabitants and the land. Many of these countries eyed the land as a possible possession. But Lewis and Clark were sent west before other countries could lay claim to the land and so the “Corps of Discovery” was dispatched.</p>
<p>Lewis and Clark were amazed by the power of the Columbia River. In October of 1805, they came down the Columbia River toward Celilo Falls. The local Indian tribes observed them and told stories of what they saw. Later, as the pioneers came, the people told stories of observations and encounters.</p>
<p><em> </em></p>
<p><em>“And so they watched the people from the wagon train lower their wagons. And it wasn’t until one of them broke away and tumbled and fell and a woman and child were killed, that the men grabbed their horsehair ropes and they went up and they helped lower the wagons down. And then they helped float them across the Deschutes River there in that area known as Shears Bridge. And they had a bridge that they would put across the river and take down, kind of like a drawbridge for their own protection…….. Anyway it took a day and a half to get all of the pioneers from one side to the other because that bridge could only hold one adult and one child.</em></p>
<p><em> </em></p>
<p><em>And then our people, our ancestors, fed the pioneers because they felt so sorry for them because a lot of them had rags on their feet, tied to their feet. And a lot of the women had torn and tattered dresses on. And they had hardly any food. A lot of their provisions that were left were like the coffee beans and the macaroni and I think, some flour. But anyway, our ancestors rolled out their tule mats, miles and miles of tule mat. And they fed these pioneers the salmon and the eels and the roots and the berries. And they, in turn, the pioneers, gave our people the coffee beans and the macaroni.”</em></p>
<p>Darlene Foster Wisdom of the Elders Radio Series 3, Program 6</p>
<p>Many tribal families had stories of the first time they saw the Europeans. Many of these stories have been passed down for generations to become a part of the oral traditions of the people.</p>
<p><strong>Suggested Strategies</strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.  Read</p>
<p>Read and discuss Darlene Foster’s story about helping the pioneers. Ask the following questions:</p>
<ul>
<li>Why were the Indian people watching the pioneers?</li>
<li>Do you think they wanted to stay hidden?  Why?</li>
<li>Why did the Indians help the pioneers?</li>
<li>Why did they feed the pioneers?</li>
<li>Why is this a story that has been told through the generations?</li>
<li>Why is it an important story to the Indian people?</li>
<li>Do you think the story has been changed from the time it happened to the present?</li>
</ul>
<p>2.  Play a game</p>
<p>To illustrate how stories could change, play the game we know as “Telephone,” in which students are placed in a circle. One person whispers a phrase into the ear of the next person, and so on. Start the story with a phrase such as:</p>
<ul>
<li>“The settlers came in covered wagons”</li>
<li>“They tried to cross the river”</li>
<li>“The wagon broke down”</li>
</ul>
<p>Since we know the story will change at the end of the game, ask the class how it would be possible to preserve a story so that it is accurate.</p>
<p>3.  Discuss</p>
<p>Ask the class who is the “storyteller” in their family. Then ask these questions for discussion:</p>
<ul>
<li>Does your family “storyteller” tell the same story over and over?</li>
<li>What do you do when this happens?</li>
<li>Do you know a family story by heart?  (Pick a few responses and have the students tell those stories)</li>
<li>Do you repeat the stories to others?  When?</li>
<li>Why is the story repeated?</li>
</ul>
<p><strong><span style="text-decoration: underline;">Lesson 4: Individuals Who Had an Impact on the Tribal Way of Life</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.02—Listen to, read, and understand a wide variety of informational and narrative text.</li>
<li>EL.CM.RE.04—Demonstrate listening comprehension of more complex text through class and/or small group interpretive discussions across the subject areas.</li>
<li>EL.CM.RE.35—Extend ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.</li>
<li>EL.CM.SL.05—Analyze the occasion and the interests of the audience, and choose effective verbal techniques and language.</li>
<li>EL.CM.WR.02—Discuss ideas for writing with classmates, teachers, and other writers, and develop drafts alone and collaboratively.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Within each tribal group there are stories of people who were heroes or otherwise important to the tribe. Sometimes individuals were remembered because of good deeds or good examples. Often, these people were pointed out as examples or inspiration of how people should live their lives.</p>
<p>Among the people of the Warm Springs, this is one of the stories that is told:</p>
<p><strong>ASK THE WARM SPRINGS REVIEW GROUP FOR AN ACCEPTABLE STORY ABOUT A PERSON WHO IS REMEMBERED.</strong></p>
<p><strong> </strong></p>
<p><strong>Suggested Strategies</strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.</p>
<p><strong> </strong></p>
<p><strong> THESE ACTIVITIES WILL BE BASED ON THE STORY FROM WARM SPRINGS</strong></p>
<p><strong> </strong></p>
<p>2.  Reflect<strong> </strong></p>
<p>Ask the class to think about a person in their family who is “famous” for something. The person does not have to be world-renowned, but can be someone who has done something that is talked about over and over. For example, “Uncle Joe hiked the Grand Canyon.”</p>
<p><strong> </strong></p>
<p>3.  Writing exercise</p>
<p>Each student will ask parents, grandparents or other relatives to tell a “story” about someone in the family. The student will write down the story and be prepared to tell the story to the class the next day. Encourage students to make the story as short as possible with as much pertinent information as possible.</p>
<p><strong><span style="text-decoration: underline;">Lesson 5: Stories of Today</span></strong></p>
<p><strong> </strong></p>
<p><strong>Standards</strong></p>
<p><strong> </strong></p>
<p>ENGLISH LANGUAGE ARTS</p>
<p><strong> </strong></p>
<ul>
<li>EL.CM.RE.35—Extend ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.</li>
<li>EL.CM.SL.10—Formulate judgments about ideas under discussion, and support those judgments with convincing evidence.</li>
<li>EL.CM.WR.02—Discuss ideas for writing with classmates, teachers, and other writers, and develop drafts alone and collaboratively.</li>
</ul>
<p><strong> </strong></p>
<p><strong>CD Segments to Play</strong></p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Although many stories exist about times long ago, contemporary stories of today also are a part of oral traditions. Sometimes these stories use themes and lessons from the past to emphasize what is important today.</p>
<p>The people of Warm Springs recognize that the huckleberries and other berries have always been an important part of a healthy diet. The huckleberries are considered to be one of the most important spiritual and cultural resources on the reservation. Drawing from this knowledge of the past, the people of Warm Springs still tell stories about the huckleberry as a way to remember and to encourage restoration of traditional huckleberry fields.</p>
<p>Songs are also stories. Traditional Warm Springs singers and drummers still remember songs they were taught by their ancestors. These songs and the traditions surrounding the songs tell of respect, honor, responsibility and pride. These are important lessons that have been carried from a time long ago into the present.</p>
<p><strong>ASK THE WARM SPRINGS REVIEW GROUP ABOUT A MODERN DAY STORY</strong></p>
<p><strong> </strong></p>
<p><strong>Suggested Strategies</strong></p>
<p><strong> </strong></p>
<p><strong>Activities</strong></p>
<p><strong> </strong></p>
<p>1.             Share</p>
<p>Devote a class period to listening to the family stories the students have researched. Ask the following questions:</p>
<ul>
<li>What family member tells the story most often?</li>
<li>Why is that particular story important to the family?<strong> </strong></li>
<li>Is there a lesson to be learned from the story?<strong> </strong></li>
<li>Will you tell this story to other people?</li>
</ul>
<p>2.             Reflect</p>
<p>Ask the class if they have a story about some adventure they’ve had and would that story be something they would tell to other people?  Why?</p>
<p>Select a few representative responses from the class and have them tell that story to the class.</p>
<p><strong> </strong></p>
<p><strong>EXTENDING THE LESSON/REFERENCES</strong></p>
<p><strong> </strong></p>
<p>1.    Arrange a field trip to a local museum that has displays of Indian tribal history. Have the class write a report about what they see.</p>
<p>2.    Check with the local ESD to see if there are films about American Indians, and especially films that are stories of the tribes.</p>
<p>3.    Invite a member of the Warm Springs to visit the class.</p>
<p><strong>Websites</strong></p>
<p><strong> </strong></p>
<p>Information about Celilo Falls</p>
<p><a href="http://www.historycooperative.org/journals/ohq/105.2/fisher.html">http://www.historycooperative.org/journals/ohq/105.2/fisher.html</a></p>
<p>Indian Reading Series</p>
<p><a href="http://www.nwrel.org/indianed/indianreading/1/book01.pdf">http://www.nwrel.org/indianed/indianreading/1/book01.pdf</a></p>
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